Matthew Neenan

Matthew Neenan, described as “one of America’s best dance poets” by The New York Times, began his dance training at the Boston Ballet School and with noted teachers Nan C. Keating and Jacqueline Cronsberg. He later attended the LaGuardia High School of Performing Arts and the School of American Ballet in New York. From 1994-2007, Matthew danced with the Pennsylvania Ballet, where he danced numerous principal roles in the classical, contemporary and Balanchine repertoire. From 2007 – 2020, Matthew was the Choreographer in Residence at the Pennsylvania Ballet where he created 20 original ballets. Matthew’s choreography has been premiered and performed by The New York City Ballet, Pacific Northwest Ballet, The Washington Ballet, Ballet West, BalletMet, Colorado Ballet, Ballet Memphis, Milwaukee Ballet, Oregon Ballet Theatre, Tulsa Ballet, OKC Ballet, Kansas City Ballet, Nashville Ballet, Parsons Dance, BODYTRAFFIC, Juilliard Dance, and USC Kaufman School of Dance, among many others. He has received numerous awards and grants for his choreography from the National Endowment of the Arts, Dance Advance funded by the Pew Charitable Trusts, the Choo San Goh Foundation, the Independence Foundation and four fellowships from the Pennsylvania Council on the Arts. In 2006, Matthew received the New York City Ballet’s Choreographic Institute’s Fellowship Initiative Award. In October 2009, Matthew was the grand-prize winner of Sacramento Ballet’s Capital Choreography Competition and was also the first recipient of the Jerome Robbins NEW Program Fellowship for his work At the border for Pennsylvania Ballet. In 2005, Matthew co-founded BalletX with fellow dancer Christine Cox. BalletX has toured and performed Neenan’s choreography in New York City at The Joyce Theater, NY City Center, The Skirball Center, Symphony Space and Central Park Summerstage, The Kennedy Center, Vail International Dance Festival (where he has created 5 world premieres), Jacob’s Pillow Dance Festival, Segerstrom Center, Laguna Dance Festival, Spring to Dance Festival in St. Louis, as well as several venues internationally. His ballet The Last Glass was listed in The New York Times Top 10 in 2013.