The Christmas Ballet 2021 Designer and Choreographer
Choreographer
Nicole Haskins, originally from Venice Beach, California, danced professionally with Sacramento Ballet, Washington Ballet, and Smuin Contemporary Ballet, retiring in 2019. Her choreographic career also flourished, including commissions for Sacramento Ballet, Richmond Ballet, Smuin Contemporary Ballet, Dayton Ballet, and Oregon Ballet Theatre. Her choreography has been presented at the Los Angeles Dance Invitational, the McCallum Theater’s Dancing Under The Stars Choreographic Competition, and regional festivals. She was one of the 2017 winners of Oregon Ballet Theatre’s Choreography XX competition, participated in the New York Choreographic Institute, receiving the Institute’s Fellowship Grant in 2011 and the Institute’s Commission Initiative in 2017. Nicole is currently the Trainee Program Director for Ballet Idaho in Boise, ID.
Michael is a professional lighting designer for dance, theatre, operas, and musicals. Since joining Smuin Ballet in 2004, he has designed the lighting for The Christmas Ballet, The Turntable, Be Here Now, If I Were a Sushi Roll, Tutto Ecceto il Lavandino, Oh, Inverted World, and Fly Me to the Moon, as well as many other Smuin productions. He also designs lighting for other performance companies throughout the Bay area, where his designs have won a Theatre Bay Area award and a Shelly Award. His past designs have also been nominated for an Isadora Duncan Award and BATCC Awards. www.Michaeloesch.com
Choreographer
Former Smuin artist Ben Needham-Wood is an Emmy Award-winning choreographer and filmmaker based in San Francisco, CA. His works have been performed at festivals, concerts, and galas across the U.S. and Canada by companies such as Amy Seiwert’s Imagery, Dance Aspen, Dimensions Dance Theatre of Miami, and the Kansas City, Louisville, and Smuin Contemporary Ballets. Ben is the first appointed Artistic Fellow of Amy Seiwert’s Imagery, and recently founded his own company, Redirecting Dance.
Scenic Designer
For the past 50 years, Schmidt has designed for film, television, arena, and theme park presentations, as well as more than 200 productions for Broadway, Off Broadway, regional theaters, and major opera companies in the U.S. and Europe. His Broadway credits include the original productions of Grease and Frankenstein. In 2015, he received the United States Institute for Theatre Technology Award for Distinguished Achievement in Scene Design and The Robert L.B. Tobin Award for Sustained Excellence in Theatrical Design.
Amy Seiwert enjoyed a nineteen-year performing career dancing with Smuin, Los Angeles Chamber, and Sacramento Ballets. As a dancer with Smuin, she became involved with the “Protégé Program,” where Michael Smuin was her mentor. She retired as a dancer from Smuin in 2008. That same year, Celia Fushille named her Choreographer in Residence, a position she held for a decade. She is the recipient of numerous choreographic awards, including a “Goldie” award from the San Francisco Bay Guardian in 2010, which described Seiwert as the Bay Area’s most original dance thinker, “taking what some consider a dead language and using it with a 21st-century lingo to tell us something about who we are.”
In 2017 Seiwert’s first full-evening work, “Wandering,” set to Schubert’s Winterreise, was commissioned by the Joyce Theater in New York. The NEA and Kennedy Center have also supported Seiwert’s works. A former Artist in Residence at ODC Theater, she has also served on the Artist Faculty for Jacob’s Pillow’s Contemporary Ballet program. Her creations are in the repertory of Smuin, ODC/Dance, BalletX, Ballet Austin, and AXIS Dance, as well as Washington, Atlanta, Oakland, Kansas City, Colorado, Louisville, Cincinnati, Oklahoma City, American Repertory, and Milwaukee Ballets.
Costume Designer
Sandra Woodall has contributed scenic and costume designs to San Francisco Ballet, Frankfurt Ballet, Stuttgart Ballet, Bolshoi Ballet, National ballet companies of Finland, Georgia and Norway, State Opera Ballet of Austria, Dance Theatre of Harlem, Royal Winnipeg Ballet, Houston Ballet, Hubbard Street Dance, and Singapore Dance Theatre, among others. Recent productions include the visual design of Winter Journey (Beijing), written by Wan Fang, director, Stan Lai; Camino Real (Atlanta Ballet) choreographed by Helen Pickett; and Be Here Now, choreographed by Trey McIntyre for Smuin.